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Project Hail Mary (2026) - Ultimate Space Duo - REVIEW
@skiptvads
Posted 2d ago · 8 min read
After watching Project Hail Mary I get why ppl like it so much and its not because of the space theme, zero gravity or exploring another world, its rather because a human alone with little memory of whats going on in these case, out in the absolute middle of nowhere and has to use their brain and his guts to figure out what the hell is happening before everything falls apart, although this time just dont try to hard for everything to make sense because there is a lot that just doesnt but the movie keeps going. Ryan Gosling alone in a ship with no memory and two dead crewmembers is one of the strongest opening setups on one of his movies because for the most part he is all fun and action but this movie trusts you to sit with the disorientation instead of explaining everything right away. Lord and Miller, the same duo behind the Spider Man animated movies, directed the movie and you can tell the movie has their touch because this could have been a very cold and clinical movie about astrophysics and orbital mechanics and instead it feels warm and funny and human without ever losing the weight of what is actually going on with the potential disaster, which is essentially every living thing on Earth slowly dying as the sun gets weaker year by year. Ryan Gosling plays Ryland Grace, a middle school science teacher who got basically pressured by mission director Eva Stratt into the most absurd space program in the history of organized human panic, and when the movie opens he does not even remember any of that, he is just a confused guy with dead crew members and a talking computer trying to figure out his own name and there is something about that specific kind of blank slate character that pulls you in fast because you are discovering who this person is at exactly the same pace he is.
The movie builds the story of Ryland Grace in a nonlinear way that keeps feeding you pieces of his past at exactly the right moments and what those flashbacks reveal is that Ryland is not a hero in any traditional sense, he actually ran from the mission, tried to escape the whole thing and had to be sedated and loaded onto the rocket because Eva Stratt decided he was the best shot at survival for the planets and she does not really take no for an answer. Sandra Huller plays Stratt and she is fascinating in how she is written, this woman who will sacrifice anything and anyone without losing a moment of sleep because she has decided that the math requires it and the scenes between her and Gosling had so much tension between a person who thinks in emotions and a person who thinks in pure survival logistics and even when he tries to make it funny there are times he just cant, he cant brake her character. The production quality is very very good, its for sure going to give you Interstellar vibes throughout all of the runtime, the ship feels worn in and functional rather than clean and cinematic, the CGI rendering of the astrophage microorganisms that are eating the sun looks menacing but at the same time very simple as how easy they die but how powerful they are and specific rather than generic glowing nonsense, and for a movie that runs close to two and a half hours the pacing was ok, even though it had times where it drags like when Ryland wakes up or when he is learning to communicate with Rocky, for the most part Lord and Miller know exactly when to drop something funny or absurd to let you breathe before pulling you back into the science. Then Rocky shows up, a five legged spider alien who communicates through musical tones and mathematical frequencies, and the whole movie shifts into something else entirely because this creature built through practical effects and very specific sounds, its that sci fi vibes that gets you everytime he talks, Rocky becomes the most emotionally real presence in the whole story, and watching two completely alien to each other beings figure out how to talk to each other through math and music is the kind of stuff that made me actually love science fiction as a kid.
Where the movie leaves some real points on the table is with the dead crewmates we get to know through flashbacks, because they never get enough of their own time to feel like actual people whose absence costs you something emotionally, they just done they just filling dead space basically, they are more like context for the mission than characters you grieve when the movie reminds you they are gone. The history between Ryland and Stratt also feels like it got compressed somewhere across the entire movie, because I kept wanting more scenes of those two battling out on a lab or a meeting room before the launch to understand why she specifically picked a man who was actively fleeing the program to be the one person the whole world depended on, the logic is there but the emotional convincing is not quite, rather I guess there was none, she clearly told him "you dont even have a dog" , making him the perfect candidate. The science also gets dense in stretches and there are conversations about fuel ratios and time dilation and xenonite that can lose you if your attention is not dead focus for even a couple of minutes you get that tf they talking about? when roocket space? because thats what the trailers does to you, wanting to see Ryland in space with an alien, but the movie does decent work simplifying before your brain fully melts, there were two or three moments where the science jargon got out of hand and those moments the movie is going to loose you for sure. None of this kills the experience, more like places where a slightly longer cut might have added the the missing connection that would have pushed this from great to something you feel in your chest for days after.
I have not read the Andy Weir novel this is based on so I cannot speak to how closely the movie tracks the source material, but what I can say is that from a pure movie standpoint this thing works because it feels like a throwback to a specific kind of science fiction that almost nobody makes anymore, the kind where first contact with something completely alien is treated as a reason to be curious rather than a reason to grab a weapon. It reminds me of early Spielberg in a very specific way, the same way E.T. worked not because of the alien but because of the relationship, because of two beings from completely different worlds deciding the other one is worth the trouble of understanding, and that puts Project Hail Mary in a very short list of movies that actually earn that comparison. The difference here is that this movie is also sharp and funny in a dry way that E.T. never really was, the scenes where Ryland and Rocky are comparing their biology and cracking jokes about how baffling the other species is are the kind of stuff that could have felt forced and cute but instead feels like two people who actually find each other bizarre and great, and pulling that off without it turning saccharine is harder than it looks.
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