Television Review: The First Duty (Star Trek: The Next Generation, S5X19, 1992)
The First Duty (S05E19)
Airdate: 30 March 1992
Written by: Ronald D. Moore & Naren Shankar Directed by: Paul Lynch
Running Time: 46 minutes
Throughout its seven-year run, the episodic nature of Star Trek: The Next Generation allowed its creators to experiment with a wide variety of themes and narrative styles. This freedom occasionally yielded classics that define the Golden Age of Star Trek, such as The Inner Light. On other occasions, however, these experiments resulted in slightly disappointing outings that, while competently constructed, failed to live up to their potential. The First Duty, the nineteenth episode of the fifth season, is a prime example of the latter. Technically well-made, with solid direction and a script from respected writers, it nonetheless feels like routine filler—a narrative ticking boxes rather than delivering a truly memorable or impactful chapter in the series' legacy.
The episode's plot is set in motion by a rather routine assignment for Captain Jean-Luc Picard. The Enterprise is dispatched to Earth so that Picard can deliver the commencement address at the Starfleet Academy graduation ceremony. For Picard, this is a nostalgic opportunity to revisit his old haunts and reunite with Boothby, the Academy's elderly groundskeeper. As played by the veteran character actor Ray Walston, Boothby is presented as a beloved mentor and friend who once helped a young, trouble-prone Picard navigate the pitfalls of cadet life. This reunion, while offering a pleasant moment of fan service, serves little substantive purpose beyond establishing Picard's personal connection to the institution now at the centre of a scandal.
Picard also looks forward to catching up with Wesley Crusher, now a cadet at the Academy. This anticipation is quickly dashed when, en route, Picard receives news of a catastrophic training incident. A flight team known as Nova Squadron, of which Wesley is a member, has been involved in an accident resulting in the death of one cadet, Joshua Albert. The squadron, led by the charismatic and ambitious Cadet Nicholas Locarno (played by Robert Duncan McNeill), consisted of Wesley, Cadet Sito Jaxa (Shannon Fill), and Cadet Jan Hajar (Walker Brandt). Admiral Brand (Jacqueline Brookes) oversees the official investigation, which initially suggests pilot error by the deceased. However, Locarno, desperate to protect the squadron's reputation and his own future, pressures his fellow cadets into maintaining a cover story. He convinces them to conceal the truth—that they were attempting a spectacular but strictly forbidden manoeuvre called the "Kolvoord Starburst"—and to let the blame fall entirely on their dead comrade, Joshua.
The moral crux of the episode becomes Picard's investigation into the truth. He recruits Geordi La Forge, whose technical analysis of the wreckage finds traces of plasma discharge that point unequivocally to the banned manoeuvre. Confronted with this evidence, Wesley initially obfuscates and evades, loyal to his squadron and fearful of the consequences. In the episode's pivotal scene, Picard delivers a stern lecture to Wesley in the Academy's cavernous lecture hall, declaring that "the first duty of every Starfleet officer is to the truth." This speech, delivered with Patrick Stewart's customary gravitas, ultimately compels Wesley to come clean before the review board. In the aftermath, Locarno nobly—if belatedly—assumes full responsibility for the cover-up and is expelled from Starfleet in a dramatic, if off-screen, moment. Wesley is not expelled but is severely punished by losing a full year of academic credits, a consequence that could derail his promising career.
The First Duty was written by series veteran Ronald D. Moore and Naren Shankar, who would later achieve fame as the showrunner of The Expanse. The episode was partially inspired by Moore's own experiences in the ROTC and was conceived as a serious, procedural courtroom drama centred on Wesley Crusher. On a structural level, the main plot is indeed well-constructed. Director Paul Lynch provides solid, workmanlike direction that makes effective use of the episode's relatively constrained budget, particularly in the Academy sets and the sombre inquiry scenes. Yet, for all its technical competence, the episode ultimately feels like a component part of a broader TNG narrative arc rather than a standout piece. It has the air of an exercise, of checking necessary marks in the development of a recurring character. One could argue the entire endeavour was conceived as a form of fan service, or perhaps "anti-service," by deliberately deconstructing the character of Wesley Crusher.
Wesley, especially in the early seasons of TNG, was often criticised as a "Mary Sue"—a prodigiously gifted, morally righteous teenager whose genius frequently saved the day. This made him one of the less popular elements of the series for a segment of the audience. The First Duty consciously subverts this image by placing Wesley in a situation where he makes a profoundly wrong choice, one starkly at odds with the ethical paragon he appeared to be aboard the Enterprise. He chooses loyalty to a flawed leader and fear over integrity, and he suffers tangible, career-threatening consequences for it. While this deconstruction is conceptually interesting, its execution feels somewhat schematic. Wesley's turnaround is triggered by a single speech from a paternal authority figure, reducing a complex moral dilemma to a simple lesson learned. The episode thus satisfies a narrative requirement—to humble and mature the character—without investing the emotional depth needed to make the transformation truly resonant.
The episode is bolstered by a strong guest cast. Ray Walston brings warmth and wit to his brief scenes as Boothby. Ed Lauter is compellingly anguished as the grief-stricken father of Joshua Albert, adding a necessary layer of human tragedy to the proceedings. The most remarkable performance, however, comes from Robert Duncan McNeill as Nicholas Locarno. McNeill imbues Locarno with a toxic blend of charisma, arrogance, and naked ambition—a young man so obsessed with glory and legacy that he leads his friends into tragedy and then into dishonesty. His eleventh-hour decision to accept responsibility and face expulsion adds a sliver of redemption, though it occurs off-screen, slightly diluting its impact. Ironically, Locarno served as the obvious creative template for another troubled ex-Starfleet officer: Tom Paris in Star Trek: Voyager, also played by McNeill. The producers' decision not to establish continuity between the two characters, to simply recast McNeill in a similar but distinct role, remains one of the great missed opportunities of the franchise's Golden Age. It represents a frustrating lack of ambition, a preference for a clean slate over rich, inter-series narrative continuity—a flaw that mirrors the episode's own play-it-safe approach. The First Duty is not a bad episode. It is professionally acted, adequately directed, and tackles a worthwhile moral premise. Yet, it embodies the definition of a middling entry. It takes no real risks beyond its central character beat for Wesley, and even that feels like a mandated correction rather than organic growth. It functions as a competent piece of franchise machinery, moving a character from point A to point B and delivering a clear moral lesson. But in the pantheon of The Next Generation, which so often reached for the stars in both theme and execution, The First Duty remains earthbound—a routine piece of business that fills its slot adequately but leaves the viewer with the distinct sense of promise unfulfilled.
RATING: 6/10 (++)
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